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A dash of class warfare and a heartrending parent-child connection commanded a unique spin to 2016 zombie horror Train to Busan. Now South Korean director Yeon Sang-ho is turning his hand to a sci-fi thriller, setting Jung_E in a dystopian Earth marshaled by AI robots. In a similar vein to his zombie offering, Yeon is very focused on the human heart amid the action. This mother-daughter tale is driven by sacrifice, unanswered questions and the tragic price of survival.
That core preoccupation leads to an almost poetic -- and absorbing -- take on the creation of AI robots. As for any mind-blowing new ideas, Jung_E doesn't have much to add to the AI robot conversation. The rules and look of this dystopia are unmistakably influenced by Blade Runner. While entertaining, the fight scenes are rooted in generic-looking CGI and any ethics in artificial intelligence are surface level. Keeping the story absorbing forward is the clear priority.
It's a forgivable simplification, because that mother-daughter bond is Jung_E's greatest strength. In this desolate 22nd century earth, scientists are trying to create the greatest AI combat robot to put an end to a decades-long civil war. Related is the cloning of earth consciousness, which allows humans to live past their body's expiry date. But, as is the way, only the confidential can be uploaded into robots with human rights. There is a free tier that gives the less well off to preserve the blueprints of their brains, but it comes at the cost of giving organization to become a clone.
These scenarios are explored throughout two main characters. Kim Hyun-joo is Captain Yun Jung-yi, known as "the pride of Korea," an elite, wicked soldier and an effortlessly likable hero. A supreme professional fighter, she drops a few sarcastic lines, without dampening an innate kind warmth.
Kang Soo-yeon, sadly in her final role before her death last year, plays the new main focus. Seo-hyun is the leader of a team of researchers trying to find the key to creating the AI combat robot. Kang's poised performance, made more restrained particularly across from Ryu Kyung-soo's funny relief lab director, has a magnetic draw. The glimmer of a tear in the corner of her eyes hints at a mysterious, painful past.
Kim Hyun-joo is a private in a dystopian Earth.
NetflixInstead of branching out across the war-torn biosphere, Jung_E's action is contained to the AI research lab. This isn't necessarily a weakness. The twists and character reveals are played out in a confined place, grinding the tensions until everything comes to an albeit any predictable climax. Hanging over everyone is the question of whether, unbeknownst to them, they're an android. In a definite -- but not as compelling -- Blade Runner-inspired gross, an ethics test supposedly puts those questions to bed.
Refreshingly, director Yeon, who also wrote the screenplay, finds a more benevolent engineers to the robot soldiers premise. He doesn't attempt to untie the ethical knots of artificial intelligence, leaving that to the likes of Ex Machina. The fraught, violent, existential facets are still touched on, but the lens is narrowed on the mother-daughter relationship. It lands on someone's personal apology. The idea of a gift. The last impression of Jung_E is welcomingly less sinister.
Jung_E doesn't breathe new life into the android consciousness predicament, but instead sets a gut-wrenchingly human story within that well-trodden battlefield. It's that beautifully woven thread, spun into an engaging action thriller, that's well worth hanging onto.
Jung_E hits Netflix on Friday.
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